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Three faint figures with outstretched arms reach out through thick grey mist.

Reinventing a timeless tragedy

This month, our Leeds Actors in Training take the stage with Medea – a thought-provoking new adaptation from Lizi Patch, based on The Medea of Euripides by Gilbert Murray. The Learning team are here to give us an insight into the exciting new production…

Written by Ashley Pekri

A show 2456 years in the making…

Euripides originally wrote Medea in 431 BC as part of a trilogy, of which, only Medea survived;  a timeless story that will likely go on to survive at least another 2456 years!

It tells the tale of revenge; Medea is the wife of Jason (of the Argonauts) after being exiled from her homeland for killing her own brother (due to her love for Jason), exiled from Iolcus for tricking Pelias’ daughters into killing him (for the love of Jason once more) and again exiled from Corinth (for Jason to take a new bride).

Adapted and directed by Lizi Patch and choreographed by Dawn Holgate, the story is told by LHT’s Leeds Actors in Training, a studio-based vocational programme for young people aged 18-25 years.

Our ensemble take on the complex emotional states in which our protagonist is faced with through bold storytelling, movement and theatricality.

Find out more about Leeds Actors in Training

On an empty stage, long fabric is draped dramatically, backlighting creating the silhouette of a figure against it.

The rehearsal set for Medea. Credit: Ashley Pekri

A cast member leans back dramatically, wrapped in fabric, as other cast members hold the fabric taut.

The cast with choreographer Dawn Holgate. Credit: Ashley Pekri

A cast member stands on stage holding a bundle of fabric

Medea rehearsals. Credit: Ashley Pekri

In the foreground, a cast member takes notes in their script. In the background, a cast member stands draped in fabric as other actors hold it.

The Medea cast in rehearsal. Credit: Ashley Pekri

LAIT’s take on the tragedy

Our approach has been organic, to say the least, with each of us taking ownership of the story, collaborating, contributing to new ideas and experimenting in the rehearsal room. It’s an approach that is integral to the foundations of what LAIT is.

At the heart of Euripides’ brutal tragedy are the themes of feminism and xenophobia, themes that are as relevant today as ever. Themes that are lost without our audiences.

In order to reach as many people as possible, and introduce new audiences to the arts we have been offering £5 tickets to schools with an optional free workshop that explores the themes and theatrical devices more closely. For schools interested in booking, please contact judith.baker@leedsheritagetheatres.com. This would be a great opportunity for Drama, English and History students to visit our historic venue and experience live theatre at an affordable rate.

For pupils interested in taking on theatre or performance as a vocation, we recommend having the LAIT programme on your radar. A studio-based vocational programme for young people aged 18-25 years, LAIT challenges and develops performance skills alongside industry-leading professionals.

Cast members stand in a group as their choreographer demonstrates, wrapping a length of fabric around a performer's waist.

The cast with choreographer Dawn Holgate. Credit: Ashley Pekri

Two cast members speak intensely, holding scripts.

Medea rehearsals. Credit: Ashley Pekri

A performer holds a script as they receive notes from the director

The cast with director and writer Lizi Patch. Credit: Ashley Pekri

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