It is with a heavy heart that we have learned of the passing of our good friend Kay Mellor. Leeds born and bred, Kay was a pioneer of northern drama and real-life stories, going where no other female writer, director, or actor had gone before. We’re deeply proud and humbled to have been chosen as the home venue for her two stage premieres, Fat Friends The Musical (2017) and Band of Gold (2019) – both of which were huge success stories, as was everything that Kay turned her hand to. The hearts and thoughts of our theatre family are with her family, who we are also blessed to call friends of our theatres.

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Jersey Boys Interview

Hear from the Jersey Boys themselves as the four leading actors reveal what it’s like to be performing in the Olivier Award-winning stage sensation, making its way back to Leeds in July.

Michael Pickering plays Frankie Valli, Lewis Griffiths plays Nick Massi, Blair Gibson plays Bob Gaudio and Dalton Wood plays Tommy DeVito.

Written by Ellen Carnazza.

What can audiences expect when they come to see the show?

Dalton: “They’re in for a fun-filled night with amazing music, on top of which, there’s a true and gritty story. It’s all-round entertainment.”

Michael: “It’s one of those shows where if someone says ‘My husband won’t come see a musical’ this is the one you bring them to because they’re going to love musicals after seeing it. Sometimes men get dragged along to it and they leave going ‘Oh my God that was amazing’. It’s a wonderful night out. I don’t think I’ve ever worked with a more talented cast and crew so they can expect one of the most wonderful performances from one of the most talented teams I’ve ever worked with.”

The cast of Jersey Boys stooda at the front of the stage facing the audience with one arm lifted in the air
The cast of Jersey Boys in their iconic red suits

Credit Brinkhoff-Moegenberg

How would you describe your respective characters in the show?

Michael: “Frankie Valli has the biggest heart and a wonderful talent. What he lacks in stature he makes up for in heart and I think he falls on hard times because of how much he gives to his family and friends.”

Lewis: “Nick is the band’s bassist and arranger, a musical genius and the strong, silent type. He’s incredibly enigmatic, with his quirks and his isms, and he’s dealing with his demons – which really resonates in this day and age where there’s more awareness of mental health.”

Blair: “Bob is the composer who wrote all the songs for the Four Seasons as well as for other artists. He also had a role in the production side of things, especially later on in their careers. He’s very pragmatic and very logic-driven, which is what the group needed at the time, and it’s part of the reason they’re still big and still successful today.”

Dalton: “Tommy is the one who started the band. He has his issues; he’s a big gambler and gets into money troubles. But he’s the one that brought them all together and he’s such a big character to play.”

There are so many great songs in the show. Do you have any favourites to perform?

Dalton: “I love the big three, so that’s Sherry, Big Girls Don’t Cry and Walk Like a Man. Those were the group’s first big hits. We perform them one after another. The dance moves and the harmonies come out – they’re such fun to perform.”

Michael: “For me it’s Cry for Me, which comes quite early in the show. It shows the boys coming together one by one and it’s the first time they hit their harmonies and go ‘This is it’.”

Lewis: “Beggin’ is so infectious. It’s groovy but it’s dark and gritty. It’s an uplifting pop song but with a deep meaning to it in terms of the lyrics and where it falls in the story. I also love Stay because it comes after a really intense, explosive scene and it shows them lacing up their shoes, straightening their ties and stepping out in front of a crowd. It’s like ‘We’re still here, we’re thriving, and we love what we do’ and that’s kind of a metaphor for myself and people who are striving to work in the theatre industry at the moment. Kudos to anyone that’s doing it.”

Blair: “I love Let’s Hang On because it’s when they’ve come out of a period of darkness and angst and it’s all about the music again. We’re dancing around. [Laughs] The good old thigh slap.”

Four men singing into mics with their arms outstretched in unison
Four men around a piano. One plays it and two play guitar

It’s not just a jukebox musical, is it?

Lewis: “Absolutely not. It can easily, mistakenly be labelled a jukebox musical by people who aren’t familiar with the terminology but it’s actually a play. Jersey Boys has always been a play where this incredible back catalogue of music is interwoven through the story chronologically.”

Dalton: “It’s a play with songs because it tells their story. You get all the music everyone still loves and wants but you also get a gripping true story.”

Blair: “People come expecting the songs they know and love but they go away having learned something because not everyone knows the ins and outs of the plot. It’s almost like a documentary told by the band themselves. You get different points of view on the same story from these four people who are four very different guys. It’s a very dramatic narrative but also has that feel-good element. I feel good just doing it.”

What do you hope people will feel when they leave the theatre?

Dalton: “We end the show with such joyous numbers everyone knows, even if they weren’t around at the time they first came out. They’ll leave upbeat and happy. They’ll have had a fun, energising evening whilst learning a bit more about the Four Seasons’ story along the way.”

Blair: “It has peaks and valleys, with fun moments and some really dramatic ones. It gives you feel-good moments then brings you back down to earth before ending with Who Loves You – a song that everyone knows and which has everyone on their feet. I think they’ll leave feeling ecstatic but also surprised by what they’ve learned. We’ve had so many people say ‘We had no idea about the story, we just came for the music’. There’s a lot of appreciation, which is always nice to hear.”

Jersey Boys is at Leeds Grand Theatre from Tue 26 July to Sat 6 August 2022, click here to book tickets.

Four men in dark suits on stage with a patterned projection behind them