Leeds Heritage Theatres presents our new season of work: Rage & Reinvention, exploring the unrest and upheaval of the late seventies and early eighties,
and celebrating the creativity that grew from it.

City Varieties auditorium ready for a LIFI event taken from the Circle.

In Conversation With... Heather Townsend

Volunteer Recognition Day, marked on 20 April every year, is a day to honour and celebrate the wonderful people who give up their time and energy simply to help people or organisations. Leeds Heritage Theatres could not operate without the help of our enthusiastic and dedicated volunteers, such as Front of House Volunteer Heather Townsend. Get to know Heather as she tells us about her role.

Written by Heather Townsend (and edited by Sarah Jewers)

A day in the life of a Front of House Volunteer

As a Front of House Volunteer, I usually arrive about an hour and a quarter prior to the commencement of the performance. We are required to be in the theatre an hour before the start. I sign in on arrival, greet and am greeted by members of staff, volunteers or management as I encounter them. I make my way to the cloakroom, securing my valuables in one of the volunteer lockers, and I find my torch, glasses, pen and paper and transfer these items to the pocket in a black apron I wear around my waist. This done, I make my way to the recently named Sir Ken Dodd Auditorium and chat with the other volunteers and staff.

The duty manager will give us our brief about half an hour or so before the doors open to the public and an hour before the performance begins.  We will be informed of the occupancy, any wheelchair users, and where they will be sitting. In the event of a fire or other mishap, we are made aware of members of the audience who may require extra assistance – a volunteer is given specific responsibility and told where the person / people will be sitting. This inspires confidence should anything happen, as each of us knows exactly what is expected of us and can act with the self-belief necessary to direct and calm the audience. This concluded, we then disperse to our given post, which is almost half an hour before curtain up, and the duty manager will signal the opening of all doors for the audience to take their seats.

Approximately half an hour later, the doors are closed, the lights are down, and the show begins. There are usually two seats near the doors for the volunteers to sit and watch the performance and greet any latecomers before directing them to their seats. If there are unoccupied seats, the volunteers may sit there, but always leave at least one space between themselves and any guest. Five minutes before the interval (if there is one), volunteers and staff are alert and ready to look after guests and be on hand to point out the toilets, lift access and answer any other questions that might be posed. At all times, a watchful eye is observant for the unexpected to ensure an enjoyable evening for our guests.

After the interval, when the audience is back in their seats, doors are closed, lights dimmed and the second half commences. When the show ends, staff and volunteers reprise their positions to ensure a speedy departure. As the rows empty, either a member of staff or a volunteer walks along the empty seating lest someone has forgotten any property. I have, on occasion found items that I have then handed to a member of staff or a manager. When this last task has been completed, our shift is over and we are free to collect our belongings from the cloakroom, sign out and make our way home.

One of the hanging lights in the City Varieties Circle Bar with the frosted window and stained glass design behind it.
Seven circular light fixtures on the ceiling of City Varieties Auditorium

Quick fire

What are three skills needed to be successful in your role?

The three skills that I consider important are diplomacy, the ability to communicate, and a willingness to interact.

What is the most challenging thing about your role?

The most challenging aspect of my role is explaining to members of the audience (by direction of the artist) that they are not allowed to record the performance or take photos. Sometimes they wait until you move on and then use their mobiles again to either record or take pictures so you have to return and tell them again. This is so disruptive for other guests. If I am still ignored, I can seek advice or support from a staff member or manager.

What advice would you give to anyone thinking about volunteering?

I would advise anyone considering a role of volunteer not to hestate! It can be life-changing and so rewarding.

Favourite venue – The Grand, Varieties, Hyde Park? Why?

I’ve only worked at the City Varieties but have grown very fond of this beautiful theatre.

Favourite show/act/film you have seen at one of our venues?

My favourite show was The Simon and Garfunkel Story (coming back in October!) – it was all but a sell out. Myself and members of the audience had the best experience. I know this because so many people gave positive reviews as they were leaving. Such a feel good factor for their fans.

Favourite things to do in my spare time?

Write, bake or exercise.

What would you be doing if not in your current role?

If not in my current role I would write more, read more and exercise more